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The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study

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Title: The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study
Authors: Shoda, Haruka Browse this author
Adachi, Mayumi Browse this author →KAKEN DB
Keywords: piano performance
expressive body movement
aesthetic interpretation
musical structure
cross-correlation analysis
Issue Date: Feb-2012
Publisher: University of California Press
Journal Title: Music Perception: An Interdisciplinary Journal
Volume: 29
Issue: 3
Start Page: 237
End Page: 254
Publisher DOI: 10.1525/MP.2012.29.3.237
Abstract: We explored how a pianist manipulates his upper body according to his interpretation of music. We asked a professional pianist to perform artistic, deadpan, and exaggerated renditions of two structurally contrasting pieces. The pianist's affective interpretations clearly differentiated among the three renditions. The artistic rendition, representing the true nature of the piece, was compared to the contrived deadpan and exaggerated renditions. The pianist's range of body movement in the artistic rendition differed from the other two for a fast, energetic piece, whereas it only differed from the deadpan for a slow, romantic piece. The pianist highlighted the structural contrasts within the artistic rendition by manipulating his range of body movement and by coordinating the variations between body movement and temporal/dynamical projection of tones.
Rights: Published as Haruka Shoda and Mayumi Adachi, The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study, Music Perception: An Interdisciplinary Journal, 29(3), pp.237-254, Feb. 2012. © 2012 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on JSTOR (http://www.jstor.org/r/ucal) or directly with the Copyright Clearance Center, http://www.copyright.com.
Type: article
URI: http://hdl.handle.net/2115/48522
Appears in Collections:文学院・文学研究院 (Graduate School of Humanities and Human Sciences / Faculty of Humanities and Human Sciences) > 雑誌発表論文等 (Peer-reviewed Journal Articles, etc)

Submitter: 安達 真由美

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