DSpace Collection: 2008-11-28
http://hdl.handle.net/2115/35083
2008-11-282024-03-29T12:33:44Z昭和20年代の英文学翻訳と英文学研究 : 「英語青年」誌における翻訳規範の形成とそのコンテクスト
http://hdl.handle.net/2115/35152
Title: 昭和20年代の英文学翻訳と英文学研究 : 「英語青年」誌における翻訳規範の形成とそのコンテクスト
Authors: 佐藤, 美希
Abstract: Having been translated by academic researchers, the Japanese translations of English literature have been governed by the academia of English literary studies. Also, the academia has been developed as an institutionalised system reflecting socio-cultural current of thought. Thus, English literary translation in Japan is characterised by the fact that academia underpinned by ideology has played a role of essential determiner of translation norms. This study discusses the relationship between Japanese translations of English literature, English literary studies, and socio-cultural current of thought in the decade after World War II, when the defeat in the war forced Japanese society and culture into an enormous reshaping since the Meiji Restoration. One example of this relationship is illustrated in discourses upon how translation should be done and how English literary studies should conduct research. This paper examines those discourses in a journal Eigo-Seinen in the decade after 1945. It then analyses how the norms of English literary translation were constructed by or intertwined with academic norms and the socio-cultural context in Japan.2008-11-27T15:00:00Z佐藤, 美希Having been translated by academic researchers, the Japanese translations of English literature have been governed by the academia of English literary studies. Also, the academia has been developed as an institutionalised system reflecting socio-cultural current of thought. Thus, English literary translation in Japan is characterised by the fact that academia underpinned by ideology has played a role of essential determiner of translation norms. This study discusses the relationship between Japanese translations of English literature, English literary studies, and socio-cultural current of thought in the decade after World War II, when the defeat in the war forced Japanese society and culture into an enormous reshaping since the Meiji Restoration. One example of this relationship is illustrated in discourses upon how translation should be done and how English literary studies should conduct research. This paper examines those discourses in a journal Eigo-Seinen in the decade after 1945. It then analyses how the norms of English literary translation were constructed by or intertwined with academic norms and the socio-cultural context in Japan.マックス・ウェーバーの方法論 (2) : 「因果帰属」と「ノモス的知識」
http://hdl.handle.net/2115/35151
Title: マックス・ウェーバーの方法論 (2) : 「因果帰属」と「ノモス的知識」
Authors: 山田, 吉二郎
Abstract: In this paper I examine Max Weber's two methodological treatises: "Roscher and Knies" and "Critical Study on Logic of Cultural Sciences". My aim is to analyse Weber's methodology and to make it clear how its components are interrelated. When Weber talks about "lawseeking sciences" and "sciences of reality", his intetion is not to emphasize the existence of two sciences: natural sciences and cultural sciences, but to insist on the existence of two different kinds of causation. In cultural sciences every object of our (historical) study is "what it has become, and not something else" and we must select some "adequate causes" from which the object is supposed to flow out. Weber calls this selection of causes "causal attribution" and he tells that our "nomological knowledge" is the base of the validity of our selections.2008-11-27T15:00:00Z山田, 吉二郎In this paper I examine Max Weber's two methodological treatises: "Roscher and Knies" and "Critical Study on Logic of Cultural Sciences". My aim is to analyse Weber's methodology and to make it clear how its components are interrelated. When Weber talks about "lawseeking sciences" and "sciences of reality", his intetion is not to emphasize the existence of two sciences: natural sciences and cultural sciences, but to insist on the existence of two different kinds of causation. In cultural sciences every object of our (historical) study is "what it has become, and not something else" and we must select some "adequate causes" from which the object is supposed to flow out. Weber calls this selection of causes "causal attribution" and he tells that our "nomological knowledge" is the base of the validity of our selections.マックス・ウェーバーの方法論 (1) : メディア研究の方法論構築に向けて
http://hdl.handle.net/2115/35150
Title: マックス・ウェーバーの方法論 (1) : メディア研究の方法論構築に向けて
Authors: 山田, 吉二郎
Abstract: This paper aims at discussing Max Weber's methodology, specifically based on his essay "Objectivity in Social Science and Social policy". It is well known that Max Weber made continuous efforts to construct modern social science; his Gesammelte Aufsätze zur Wissenschaftslehre are full of highly suggestive ideas and concepts for students who are interested in methodology generally. If media studies is also expected to be one of genuine social and cultural sciences, every piece of Weber's thought will be important. Every social reality is unique, concrete and infinitely rich; we cannot grasp it without constructing "ideal type" which is not real image of reality, but its edited one. It will be shown that Weber's "ideal type" is composed of three ingredients, that is, economy, value and history.2008-11-27T15:00:00Z山田, 吉二郎This paper aims at discussing Max Weber's methodology, specifically based on his essay "Objectivity in Social Science and Social policy". It is well known that Max Weber made continuous efforts to construct modern social science; his Gesammelte Aufsätze zur Wissenschaftslehre are full of highly suggestive ideas and concepts for students who are interested in methodology generally. If media studies is also expected to be one of genuine social and cultural sciences, every piece of Weber's thought will be important. Every social reality is unique, concrete and infinitely rich; we cannot grasp it without constructing "ideal type" which is not real image of reality, but its edited one. It will be shown that Weber's "ideal type" is composed of three ingredients, that is, economy, value and history.石屋製菓のクライシス・マネジメント考 : 地域貢献型レピュテーションを信頼回復に生かす
http://hdl.handle.net/2115/35149
Title: 石屋製菓のクライシス・マネジメント考 : 地域貢献型レピュテーションを信頼回復に生かす
Authors: 内田, 純一
Abstract: This paper analyzes the course of the camouflage event of the falsified expiration date by the ISHIYA company limited, and approaches an effective ideal way of crises management. The first point that requires clarification is that there is a difference between management before the scandal and management after the scandal. In this paper, the latter is defined as crises management. The second point that requires clarification is that whether the ISHIYA's crises management was really excellent. As a result of our case study, we obtained a suggestion of the interrelation of corporate philanthropy and crises management. In conclusion, we should note that it is possible to recover the lost confidence in the scandal by corporate reputation obtained from regional contribution.2008-11-27T15:00:00Z内田, 純一This paper analyzes the course of the camouflage event of the falsified expiration date by the ISHIYA company limited, and approaches an effective ideal way of crises management. The first point that requires clarification is that there is a difference between management before the scandal and management after the scandal. In this paper, the latter is defined as crises management. The second point that requires clarification is that whether the ISHIYA's crises management was really excellent. As a result of our case study, we obtained a suggestion of the interrelation of corporate philanthropy and crises management. In conclusion, we should note that it is possible to recover the lost confidence in the scandal by corporate reputation obtained from regional contribution.「国際・地域・文化」と「まちそだて」 : 「国際地域文化論」への1アプローチ
http://hdl.handle.net/2115/35148
Title: 「国際・地域・文化」と「まちそだて」 : 「国際地域文化論」への1アプローチ
Authors: 筑和, 正格
Abstract: The purpose of this paper is to examine the basic concepts of "International Regional Culture Studies", structure them and consider adequate methods of new "Community Development", which contribute to the promotion of tourism at the same time. It is indispensable first to construct conceptual systems in order to understand what "culture" is because it is "an historically transmitted pattern of meanings embodied in symbols" (Geertz) and therefore can hardly be recognized by external observations alone. The "culture" of a human group reflects the value of its members. Furthermore, we can formulate that the term "international" means the relationship between or among larger regions and can be characterized by the interrelationship of regional cultures and therefore of different values. The construction of "conceptual systems" is also required as part of activity of new "Community Development" because it means a sustainable revitalization based on the internalized common values of participants, and these values arise from self-recognition based on the conceptualization of their own culture. The further task of new "Community Development" is to somehow transform the concepts of their own "culture" into a tangible reality.2008-11-27T15:00:00Z筑和, 正格The purpose of this paper is to examine the basic concepts of "International Regional Culture Studies", structure them and consider adequate methods of new "Community Development", which contribute to the promotion of tourism at the same time. It is indispensable first to construct conceptual systems in order to understand what "culture" is because it is "an historically transmitted pattern of meanings embodied in symbols" (Geertz) and therefore can hardly be recognized by external observations alone. The "culture" of a human group reflects the value of its members. Furthermore, we can formulate that the term "international" means the relationship between or among larger regions and can be characterized by the interrelationship of regional cultures and therefore of different values. The construction of "conceptual systems" is also required as part of activity of new "Community Development" because it means a sustainable revitalization based on the internalized common values of participants, and these values arise from self-recognition based on the conceptualization of their own culture. The further task of new "Community Development" is to somehow transform the concepts of their own "culture" into a tangible reality.文化を通して世界を読む : 観光創造のための文化基礎論として
http://hdl.handle.net/2115/35147
Title: 文化を通して世界を読む : 観光創造のための文化基礎論として
Authors: 大平, 具彦
Abstract: This paper aims at giving the theoretical framework on cultural basis for the tourism creation. Main topics are as follows: -What is the region? -Globalization / Internationalization ("kokusaika") -Culture / Civilization -Cultural Plurality and Historical background of the formation of "Others" -External Others / Internal Others -Two types of Exoticism -20th Century Art and Cultural Plurality -Beyond the Cultural Relativism and Cultural Universalism -Position of Japan from the viewpoint of Cultural Geopolitics -Rethinking Cultural Resources -Homo movens ---Human being as moving existence These topics are integrated, in the last section, into the conclusion: a human being creates himself by moving from a cultural framework to another. In this sense we are the existence which lives the "between". New Tourism's role consists in organizing those "betweens".2008-11-27T15:00:00Z大平, 具彦This paper aims at giving the theoretical framework on cultural basis for the tourism creation. Main topics are as follows: -What is the region? -Globalization / Internationalization ("kokusaika") -Culture / Civilization -Cultural Plurality and Historical background of the formation of "Others" -External Others / Internal Others -Two types of Exoticism -20th Century Art and Cultural Plurality -Beyond the Cultural Relativism and Cultural Universalism -Position of Japan from the viewpoint of Cultural Geopolitics -Rethinking Cultural Resources -Homo movens ---Human being as moving existence These topics are integrated, in the last section, into the conclusion: a human being creates himself by moving from a cultural framework to another. In this sense we are the existence which lives the "between". New Tourism's role consists in organizing those "betweens".アニメ聖地の成立とその展開に関する研究 : アニメ作品「らき☆すた」による埼玉県鷲宮町の旅客誘致に関する一考察
http://hdl.handle.net/2115/35084
Title: アニメ聖地の成立とその展開に関する研究 : アニメ作品「らき☆すた」による埼玉県鷲宮町の旅客誘致に関する一考察
Authors: 山村, 高淑
Abstract: This paper is a survey of how the town of Washimiya became the "sacred place" for anime fans ever since fans from all around the country rushed to visit the town after it was used as a setting for the animation "Lucky Star", leading also to the town successfully holding two events for these fans. The following three points were discussed. 1)The process leading up to the town becoming a "sacred place". 2)The process leading up to the town welcoming tourists. 3)The roles of tourist related corporations outside the town. As a result, it was found that in each process the local commerce and industry association played a central role. It was also found that with the town's commerce and industry association at the core, a local shrine, local shops, fans, and corporations from outside the region (copyright owners and a tourist agency) were able to build a relationship of mutual benefit as a backdrop to the current success.2008-11-27T15:00:00Z山村, 高淑This paper is a survey of how the town of Washimiya became the "sacred place" for anime fans ever since fans from all around the country rushed to visit the town after it was used as a setting for the animation "Lucky Star", leading also to the town successfully holding two events for these fans. The following three points were discussed. 1)The process leading up to the town becoming a "sacred place". 2)The process leading up to the town welcoming tourists. 3)The roles of tourist related corporations outside the town. As a result, it was found that in each process the local commerce and industry association played a central role. It was also found that with the town's commerce and industry association at the core, a local shrine, local shops, fans, and corporations from outside the region (copyright owners and a tourist agency) were able to build a relationship of mutual benefit as a backdrop to the current success.