Permalink : http://hdl.handle.net/2115/61119

China has made a series of cultural policies after 2000 as a result of the ever-increasing popularity of overseas cartoons in order to boost domestic cultural industrialization development. Therefore, revitalizing domestic cartoon industry has become national culture strategy. The dissertation, through real cases, analyses the decisionmaking process of The Central Committee of the Communist Party, State Council and the Ministry of Culture. It is found out that the cartoon policies are subject to the Chinese political authority mechanism and they are closely related to each other. The dissertation points out that the Chinese authority mechanism not only stabilizes the release of cartoon policy but also limits it.