open access

https://hdl.handle.net/2115/48522

The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study

英語

cross-correlation analysis

2012-02

University of California Press

Music Perception: An Interdisciplinary Journal

29(3)

237-254

We explored how a pianist manipulates his upper body according to his interpretation of music. We asked a professional pianist to perform artistic, deadpan, and exaggerated renditions of two structurally contrasting pieces. The pianist's affective interpretations clearly differentiated among the three renditions. The artistic rendition, representing the true nature of the piece, was compared to the contrived deadpan and exaggerated renditions. The pianist's range of body movement in the artistic rendition differed from the other two for a fast, energetic piece, whereas it only differed from the deadpan for a slow, romantic piece. The pianist highlighted the structural contrasts within the artistic rendition by manipulating his range of body movement and by coordinating the variations between body movement and temporal/dynamical projection of tones.

学術雑誌論文

Version of Record

Published as Haruka Shoda and Mayumi Adachi, The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study, Music Perception: An Interdisciplinary Journal, 29(3), pp.237-254, Feb. 2012. © 2012 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on JSTOR (http://www.jstor.org/r/ucal) or directly with the Copyright Clearance Center, http://www.copyright.com.

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