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Hokkaido University Collection of Scholarly and Academic Papers >
Graduate School of International Media, Communication and Tourism Studies / Research Faculty of Media and Communication >
国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies >
No.8 >
ヨーゼフ・ボイスの「すべての人は芸術家である」 : 現行の「クリエィティブ経済」との比較的考察
| Title: | ヨーゼフ・ボイスの「すべての人は芸術家である」 : 現行の「クリエィティブ経済」との比較的考察 |
| Other Titles: | The Idea of "Everyone is an artist" by Joseph Beuys : in Comparison with the Current "Creative Economy" |
| Authors: | 堀田, 真紀子1 Browse this author →KAKEN DB |
| Authors(alt): | Horita, Makiko1 |
| Issue Date: | 25-Mar-2009 |
| Publisher: | 北海道大学大学院国際広報メディア・観光学院 |
| Journal Title: | 国際広報メディア・観光学ジャーナル |
| Journal Title(alt): | The Journal of International Media, Communication, and Tourism Studies |
| Volume: | 8 |
| Start Page: | 3 |
| End Page: | 27 |
| Abstract: | In the post-industrial world creativity becomes more and more important: Richard Florida points out the dawn of the "creative economy"; furthermore, Joseph Pine II and James Gilmore point out that every business should be as original as a drama, if it wants to avoid being involved in a price competition. Do all these mean that the idea of an avant-garde artist, "Everyone is an artist," has in twenty years finally been realized in the practical world such as in economy and management? In this interdisciplinary study I try to answer this question, which also contributes to reevaluation and actualization of Beuys' thought. The focus of the matter is his definition of creativity as a liberating force which encourages us to determine ourselves and codetermine the society. Based on this definition "creative economy" can't to be truly creative as long as profit making incentive on the managing side has more priority than the pursuit of quality and self-realization of the workers. |
| Type: | bulletin (article) |
| URI: | http://hdl.handle.net/2115/38501 |
| Appears in Collections: | 国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies > No.8
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Submitter: 堀田 真紀子
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