HUSCAP logo Hokkaido Univ. logo

Hokkaido University Collection of Scholarly and Academic Papers >
国際広報メディア・観光学院,メディア・コミュニケーション研究院  >
国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies >
No.18 >

越境するアニメソングの共同体 : 日本大衆文化をめぐる韓国の文化的アイデンティティとオリジナルへの欲望

この資料はクリエイティブ・コモンズ・ライセンスの下で公開されています。

フルテキスト
Jimcts18_03_Hyun.pdf2.76 MBPDF見る/開く
この文献へのリンクには次のURLを使用してください:http://hdl.handle.net/2115/55174

タイトル: 越境するアニメソングの共同体 : 日本大衆文化をめぐる韓国の文化的アイデンティティとオリジナルへの欲望
その他のタイトル: Transnational “Anime-Song Community” : South Korean Cultural Identity as related to Japanese Popular Culture and to a Desire for the Original
著者: 玄, 武岩 著作を一覧する
発行日: 2014年 3月18日
出版者: 北海道大学大学院国際広報メディア・観光学院 = Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
誌名: 国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies
巻: 18
開始ページ: 25
終了ページ: 47
抄録: This paper examines the transnational space of popular culture and cultural identities in Korea that formed in the process of the public acceptance of Japanese Animation (Anime), one of few fields officially allowed in the postwar period during which Japanese popular culture was forbidden. Particularly, in analyzing anime-songs aired in Korea between the 1960s and the 2000s and in observing the process of their historical evolvement, critical points for arguing the flow of popular culture between Japan and Korea as it relates to media culture and identity emerge. The research first reconstitutes the cultural relationship between postwar Japan and Korea, as reflected in the acceptance of Anime and historic changes in South Korean identities in the above period, according to the ideal type “Anime-Song Community.” Then, the research employs a comprehensive approach incorporating diverse perspectives of industrial and historical content flow, consumption, and identity to examine the way in which media practice constitutes that field. By thus considering from an overall perspective what kind of socio-cultural dynamics are revealed through changes in the style of acceptance of “Anime-Songs” shared between both countries, we should be able to comprehend the transition of cultural identity amidst young Korean generations.
資料タイプ: bulletin (article)
URI: http://hdl.handle.net/2115/55174
出現コレクション:No.18

提供者: 玄 武岩

 

本サイトに関するご意見・お問い合わせは repo at lib.hokudai.ac.jp へお願いします。 - 北海道大学