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国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies >
No.21 >

『ニーベルンゲンの歌』はゲルマン的か

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Please use this identifier to cite or link to this item:http://hdl.handle.net/2115/59857

Title: 『ニーベルンゲンの歌』はゲルマン的か
Other Titles: Is the Nibelungenlied germanic?
Authors: 寺田, 龍男1 Browse this author →KAKEN DB
Authors(alt): Terada, Tatsuo1
Issue Date: 15-Sep-2015
Publisher: 北海道大学大学院国際広報メディア・観光学院
Journal Title: 国際広報メディア・観光学ジャーナル
Journal Title(alt): The Journal of International Media, Communication, and Tourism Studies
Volume: 21
Start Page: 21
End Page: 33
Abstract: In contemporary school education in the German speaking areas, the Nibelungenlied is regarded as an incarnation of nationalism and national consciousness from the 19th century until 1945; this is symbolized by the keyword ‘Nibelungentreue’ (Nibelung loyalty). Some critics still insist on the assumption that the origin of such a collective idea lies in germanic hero songs such as the Lay of Atli. Its underlying idea is, however, not germanic, but ‘eddic’. It is possible to capture the Nibelungenlied and the Lay of Atli through an encompassing definition — but this is not ‘germanic’. Moreover, the interpretation of the Nibelungenlied in school is politically controlled — of course in a different meaning than in the period prior to National Socialism. This paper firstly argues that the so-called germanic fidelity or loyalty should by no means be considered as typically germanic because such phenomena can be found in every period, region and culture. As a result of these reflections, this paper proposes, secondly, to not only connect the Nibelungenlied with National Socialism in educational practice, which is absolutly necessary, but also to treat the Nibelungenlied as poetry of the Middle Ages.
Type: bulletin (article)
URI: http://hdl.handle.net/2115/59857
Appears in Collections:国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies > No.21

Submitter: 寺田 龍男

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