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国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies >
No.26 >

韓国映画の「植民地もの」における脱ナショナリズムの隘路 : 『軍艦島』の「親日派」表象をめぐって

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Title: 韓国映画の「植民地もの」における脱ナショナリズムの隘路 : 『軍艦島』の「親日派」表象をめぐって
Other Titles: The narrow path to de-nationalisation of South Korean ‘colonial piece’ films : on the representation of ‘pro-Japanese collaboration’ in “Battleship Island”
Authors: 芳賀, 恵1 Browse this author
玄, 武岩2 Browse this author →KAKEN DB
Authors(alt): HAGA, Megumi1
HYUN, Mooam2
Issue Date: 20-Mar-2018
Publisher: 北海道大学大学院国際広報メディア・観光学院
Journal Title: 国際広報メディア・観光学ジャーナル
Journal Title(alt): The Journal of International Media, Communication, and Tourism Studies
Volume: 26
Start Page: 3
End Page: 19
Abstract: This article examines the narrow path to de-nationalisation in South Korean films dealing with the Japanese colonial period since the 2000s that we call ‘colonial pieces’. Based on Ryu Seung-wan’s “Battleship Island” (Gunhamdo, 2017) situated during Korean mobilization under colonial rule, we argue that it is possible to clarify the style and strategy of visual representation used to replace the dichotomy of victimizers (Japan) and victims (Korea) in recent ‘colonial piece’ films. By focusing on the representation and its stylistic aspects of “Battleship Island” in relation to the empire of Japan through the periodical transition of political, social and cultural meaning, this article explores the way in which these films act on the process of reproducing colonial memories in Korean society and the historical issue between Japan and Korea, as a postcolonial problem of cultural and social politics.
Type: bulletin (article)
Appears in Collections:国際広報メディア・観光学ジャーナル = The Journal of International Media, Communication, and Tourism Studies > No.26

Submitter: 芳賀 恵

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